2016.9.6.只能说是精神变态了，看的很不舒服，演员演技不要太好啊，天然疯子的感觉，还看到了年轻些的小林薰

正好前一天看的蝙蝠仔，差距简直是个鸿沟！全程低幼化，画面也不精致，剧情更是上世纪90年代的弘扬真善美。。。

一镜到底这种强势与自信大概也只有希胖具有。格兰杰在这里还生嫩得很，许是这种气质他总在电影中扮演内向被动的白净青年。太喜欢斯图尔特在这部电影里的感觉，行为举止是活在自己世界的古怪傲慢。言语有着藐视道德社规的不敬，却固守着正义的底线。同样喜欢电话谋杀案中的丈夫，我的心思总是献给怪人。

也许是因为这个公主衣服颜色偏蓝 撇弃了传统的粉色 让我总觉得她有种母性的光辉（什么鬼

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.